{"id":1530,"date":"2022-01-10T11:38:44","date_gmt":"2022-01-10T11:38:44","guid":{"rendered":"https:\/\/eu4culture.al\/interview-with-professor-gabriela-krist\/"},"modified":"2022-01-12T14:17:18","modified_gmt":"2022-01-12T14:17:18","slug":"interview-with-professor-gabriela-krist","status":"publish","type":"post","link":"https:\/\/eu4culture.al\/sq\/interview-with-professor-gabriela-krist\/","title":{"rendered":"Intervist\u00eb me Profesoresh\u00eb Gabriela Krist"},"content":{"rendered":"\n

Tiran\u00eb, 1 dhjetor 2021<\/strong><\/p>\n\n\n\n

Intervist\u00eb p\u00ebr Revist\u00ebn \u201cTrailblazing\u201d<\/strong><\/p>\n\n\n\n

Profesoresha Gabriela Krist<\/strong><\/p>\n\n\n\n

Universiteti i Arteve t\u00eb Aplikuara, Instituti i Konservimit, Vjen\u00eb<\/strong><\/p>\n\n\n\n

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1.Mir\u00eb se erdh\u00ebt n\u00eb Shqip\u00ebri Profesor Krist! Jemi shum\u00eb t\u00eb lumtur q\u00eb ju kemi n\u00eb vendin ton\u00eb. Cila \u00ebsht\u00eb p\u00ebrshtypja juaj e par\u00eb p\u00ebr k\u00ebt\u00eb vizit\u00eb dhe bashk\u00ebpunimin me UNOPS-in p\u00ebrmes programit EU4Culture?<\/p>\n\n\n\n

Un\u00eb erdha p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb Shqip\u00ebri ver\u00ebn e k\u00ebtij viti s\u00eb bashku me dy koleg\u00eb, konservator\u00eb gur\u00ebsh, dhe detyra jon\u00eb ishte t\u00eb kontrollonim s\u00eb bashku me UNOPS-in, vendet e d\u00ebmtuara nga t\u00ebrmeti, p\u00ebrfshir\u00eb muzet\u00eb. Gjat\u00eb misionit ton\u00eb, pat\u00ebm mund\u00ebsin\u00eb e madhe t\u00eb udh\u00ebtonim n\u00eb t\u00eb gjith\u00eb vendin, nga Durr\u00ebsi, n\u00eb Kavaj\u00eb, Kruj\u00eb, Bashtov\u00eb dhe kalan\u00eb e Lezh\u00ebs, Muzeun Arkeologjik t\u00eb Durr\u00ebsit dhe sigurisht Muzeun Historik Komb\u00ebtar n\u00eb Tiran\u00eb. Ne krijuam nj\u00eb p\u00ebrshtypje t\u00eb v\u00ebrtet\u00eb p\u00ebr pasurin\u00eb e kultur\u00ebs shqiptare dhe gjendjen e vendeve t\u00eb d\u00ebmtuara. Ishte gjithashtu e r\u00ebnd\u00ebsishme p\u00ebr ne q\u00eb t\u00eb diskutonim me ekspert\u00eb dhe komunitetet vendore dhe t\u00eb d\u00ebgjonim pik\u00ebpamjet e tyre. Ishte v\u00ebrtet nj\u00eb p\u00ebrvoj\u00eb e r\u00ebnd\u00ebsishme p\u00ebr mua. Un\u00eb kam pasur mund\u00ebsin\u00eb t\u00eb udh\u00ebtoj n\u00eb Ballkan n\u00eb t\u00eb kaluar\u00ebn, por Shqip\u00ebria \u00ebsht\u00eb nj\u00eb vend i ve\u00e7ant\u00eb p\u00ebr mua, me bukurit\u00eb natyrore, kultur\u00ebn dhe njer\u00ebzit e saj.<\/p>\n\n\n\n

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2. A mund t\u00eb na tregoni m\u00eb tep\u00ebr p\u00ebr bashk\u00ebpunimin me programin EU4Culture?<\/p>\n\n\n\n

E gjith\u00eb kjo mund\u00ebsi filloi nj\u00eb vit m\u00eb par\u00eb, n\u00eb vitin 2020, kur un\u00eb merresha me k\u00ebshillim p\u00ebr konservimin dhe restaurimin, megjithat\u00eb p\u00ebr shkak t\u00eb kriz\u00ebs pandemike na u desh t\u00eb shtynim udh\u00ebtimet tona. N\u00eb at\u00eb koh\u00eb ishte p\u00ebrvoja ime e par\u00eb me UNOPS. U lumturova kur m\u00ebsova se programi EU4Culture po zbatohej nga UNOPS p\u00ebr t\u00eb mb\u00ebshtetur Shqip\u00ebrin\u00eb n\u00ebp\u00ebrmjet financimit t\u00eb BE-s\u00eb p\u00ebr t\u00eb ruajtur trash\u00ebgimin\u00eb e saj kulturore. Mandati i UNOPS-it n\u00eb infrastruktur\u00eb, menaxhim projektesh dhe prokurime, i kombinuar me njohurit\u00eb e ekspert\u00ebve t\u00eb ndrysh\u00ebm t\u00eb trash\u00ebgimis\u00eb kulturore dhe me bashk\u00ebpunimin solid t\u00eb Ministris\u00eb s\u00eb Kultur\u00ebs, \u00ebsht\u00eb nj\u00eb baz\u00eb e shk\u00eblqyer p\u00ebr t\u00eb realizuar k\u00ebt\u00eb projekt shum\u00eb kompleks. Isha m\u00eb shum\u00eb se e k\u00ebnaqur q\u00eb nisa k\u00ebt\u00eb bashk\u00ebpunim.<\/p>\n\n\n\n

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3. Sa koh\u00eb keni qe merreni me konservim dhe restaurim arti? Si ju fut\u00ebt n\u00eb k\u00ebtij profesioni?<\/p>\n\n\n\n

Oh la la<\/em>, kjo \u00ebsht\u00eb nj\u00eb pyetje e mir\u00eb. Gjithcka nisi n\u00eb shkoll\u00eb t\u00eb mesme. D\u00ebshira ime ishte t\u00eb b\u00ebja di\u00e7ka n\u00eb fush\u00ebn artistike sepse m\u00eb p\u00eblqen vizatimi dhe piktura. N\u00eb sht\u00ebpin\u00eb e prind\u00ebrve t\u00eb mi, objektet antike apo artet figurative ishin gjithmon\u00eb tem\u00eb diskutimi. M\u00eb pas njoha konservator\u00eb t\u00eb vjet\u00ebr dhe zhvillova nj\u00eb interes t\u00eb madh p\u00ebr at\u00eb fush\u00eb. Gjat\u00eb shkoll\u00ebs s\u00eb mesme shihja sesi punonin dhe m\u00eb pas n\u00eb vitet e fundit lindi d\u00ebshira p\u00ebr t\u00eb filluar k\u00ebt\u00eb profesion. Pas mbarimit t\u00eb shkoll\u00ebs s\u00eb mesme n\u00eb vitin 1974 m\u00eb n\u00eb fund hyra n\u00eb Akademin\u00eb e Arteve n\u00eb Vjen\u00eb p\u00ebr t’u b\u00ebr\u00eb restauruese. Q\u00eb at\u00ebher\u00eb, nuk jam penduar p\u00ebr asnj\u00eb dit\u00eb!<\/p>\n\n\n\n

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 4.Cila \u00ebsht\u00eb fusha juaj specifike e ekspertiz\u00ebs?<\/p>\n\n\n\n

U shkollova rreth konservimit t\u00eb pikturave dhe pas k\u00ebtyre studimeve fillova t\u00eb punoj n\u00eb Akademin\u00eb e Arteve n\u00eb Vjen\u00eb, nj\u00eb institucion i njohur n\u00eb Austri ku kam qen\u00eb pedagoge e konservimit t\u00eb piktur\u00ebs. Nj\u00eb nga d\u00ebshirat e mia m\u00eb t\u00eb m\u00ebdha ka qen\u00eb gjithmon\u00eb t\u00eb b\u00ebhem profesoresh universiteti. M\u00eb von\u00eb p\u00ebrfundova doktoratur\u00ebn n\u00eb histori arti. E lash\u00eb akademin\u00eb sepse gjeta nj\u00eb pun\u00eb n\u00eb ICCROM (Qendra Nd\u00ebrkomb\u00ebtare p\u00ebr Studimin e Ruajtjes dhe Restaurimit t\u00eb Pasurive Kulturore) n\u00eb Rom\u00eb, nj\u00eb organizat\u00eb e financuar nga UNESCO q\u00eb u krijua pas Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore. Gjat\u00eb tet\u00eb viteve t\u00eb pun\u00ebs sime n\u00eb ICCROM, m\u00ebsova shum\u00eb rreth pun\u00ebs n\u00eb nj\u00eb kontekst nd\u00ebrkomb\u00ebtar. Un\u00eb isha p\u00ebrgjegj\u00ebs p\u00ebr rajonin e Azis\u00eb n\u00eb at\u00eb koh\u00eb dhe ne koordinonim programet e trajnimit pasuniversitar n\u00eb Indi dhe Japoni. Ishte nj\u00eb p\u00ebrvoj\u00eb e mir\u00eb. M\u00eb pas punova n\u00eb Zyr\u00ebn Qendrore t\u00eb Ruajtjes s\u00eb Monumenteve (Bundesdenkmalamt-BDA) n\u00eb Vjen\u00eb, t\u00eb cil\u00ebt jan\u00eb p\u00ebrgjegj\u00ebs p\u00ebr t\u00eb gjitha monumentet e mbrojtura n\u00eb vendin ton\u00eb. M\u00eb n\u00eb fund, n\u00eb vitin 1999 u em\u00ebrova profesoresh n\u00eb Universitetin e Arteve t\u00eb Aplikuara n\u00eb Vjen\u00eb.<\/p>\n\n\n\n

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5. \u00c7far\u00eb ju emocionon m\u00eb shum\u00eb n\u00eb programin EU4Culture k\u00ebtu n\u00eb Shqip\u00ebri?<\/p>\n\n\n\n

M\u00eb b\u00ebri shum\u00eb p\u00ebrshtypje trash\u00ebgimia kulturore q\u00eb keni n\u00eb k\u00ebt\u00eb vend, nga vendet arkeologjike deri te muzet\u00eb etnografik\u00eb. M\u00eb duket shum\u00eb i dobish\u00ebm fakti q\u00eb UNOPS po koordinon k\u00ebt\u00eb projekt jo vet\u00ebm p\u00ebr t\u00eb riparuar d\u00ebmet nga t\u00ebrmeti, por edhe p\u00ebr t\u00eb krijuar koncepte t\u00eb reja interpretimi dhe ekspozimi. P\u00ebrve\u00e7 restaurimit t\u00eb vendeve kulturore t\u00eb prekura, UNOPS po punon gjithashtu me ekspert\u00eb p\u00ebr t\u00eb p\u00ebrmir\u00ebsuar standardet e muzeve. Besoj se kjo \u00ebsht\u00eb jasht\u00ebzakonisht e r\u00ebnd\u00ebsishme p\u00ebr k\u00ebt\u00eb vend, sepse turizmi dhe ve\u00e7an\u00ebrisht turizmi kulturor do t\u00eb luajn\u00eb nj\u00eb rol t\u00eb r\u00ebnd\u00ebsish\u00ebm p\u00ebr zhvillimin ekonomik dhe p\u00ebr rritjen e standardeve t\u00eb jetes\u00ebs.<\/p>\n\n\n\n

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6. \u00c7far\u00eb mendoni se do t’ju sjell\u00eb kjo p\u00ebrvoj\u00eb?<\/p>\n\n\n\n

Un\u00eb jam gjithmon\u00eb e etur p\u00ebr t\u00eb m\u00ebsuar dhe mendoj se jetojm\u00eb n\u00eb nj\u00eb koh\u00eb ku nuk mund t\u00eb thuash se je ekspert ose se ke m\u00ebsuar mjaftuesh\u00ebm. Kemi mund\u00ebsin\u00eb t\u00eb shohim kontekste dhe perspektiva t\u00eb ndryshme dhe duhet t\u00eb reagojm\u00eb n\u00eb m\u00ebnyr\u00eb fleksib\u00ebl ndaj t\u00eb gjitha nevojave specifike t\u00eb nj\u00eb vendi. Ndjej se kjo p\u00ebrvoj\u00eb m\u00eb pasuron si profesionalisht ashtu edhe personalisht. P\u00ebr m\u00eb tep\u00ebr, un\u00eb nuk punoj k\u00ebtu vet\u00ebm, por me nj\u00eb ekip ekspert\u00ebsh. Koleg\u00ebt e mi jan\u00eb me mua dhe kontributet e tyre jan\u00eb shum\u00eb t\u00eb r\u00ebnd\u00ebsishme. Ne do t\u00eb punojm\u00eb k\u00ebtu me materiale t\u00eb ndryshme dhe duhet t\u00eb p\u00ebrshtatemi me  sfidat lokale.<\/p>\n\n\n\n

Nj\u00eb plan tjet\u00ebr emocionues q\u00eb kemi \u00ebsht\u00eb q\u00eb gjat\u00eb korrikut t\u00eb ardhsh\u00ebm (2022) synojm\u00eb t\u00eb organizojm\u00eb nj\u00eb shkoll\u00eb verore ku student\u00ebt e mi nga Universiteti i Arteve t\u00eb Aplikuara n\u00eb Vjen\u00eb s\u00eb bashku me student\u00ebt e Universitetit t\u00eb Tiran\u00ebs do t\u00eb angazhohen n\u00eb programin EU4Culture. Fokusi yn\u00eb do t\u00eb jet\u00eb n\u00eb Muzeun Etnografik t\u00eb Kruj\u00ebs dhe Kavaj\u00ebs. Do t\u00eb jet\u00eb nj\u00eb fushat\u00eb pune nj\u00ebmujore dhe nj\u00eb mund\u00ebsi unike p\u00ebr t\u00eb gjith\u00eb ata q\u00eb do t\u00eb punojn\u00eb s\u00eb bashku me tekstile t\u00eb r\u00ebnd\u00ebsishme brenda dy koleksioneve.<\/p>\n\n\n\n

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7. Bazuar n\u00eb p\u00ebrvoj\u00ebn tuaj t\u00eb gjat\u00eb, si mendoni se ka ndryshuar konservimi\/restaurimi i artit gjat\u00eb viteve?<\/p>\n\n\n\n

N\u00eb fakt, kjo \u00ebsht\u00eb nj\u00eb pyetje e mir\u00eb. T\u00eb gjith\u00eb jemi t\u00eb vet\u00ebdijsh\u00ebm se fondet p\u00ebr konservim apo p\u00ebr kultur\u00eb jan\u00eb t\u00eb limituara dhe nuk po rriten. Duhet patj\u00ebter t\u00eb mendojm\u00eb edhe p\u00ebr restaurimin. N\u00ebse ka investime n\u00eb fush\u00ebn e ruajtjes, ato para duhet t\u00eb investohen me mend. Prandaj jam shum\u00eb e k\u00ebnaqur kur shoh vendosm\u00ebrin\u00eb e BE-s\u00eb p\u00ebr kultur\u00ebn n\u00eb Shqip\u00ebri p\u00ebrmes nj\u00eb investimi kaq t\u00eb madh.<\/p>\n\n\n\n

Gjat\u00eb dhjet\u00eb viteve t\u00eb fundit ka pasur nj\u00eb ndryshim n\u00eb qasjen ndaj ruajtjes. Ne nuk merremi vet\u00ebm me objekte apo monumente t\u00eb vetme, por duhet t\u00eb kemi nj\u00eb pamje holistike, m\u00eb globale, duke u kujdesur p\u00ebr koleksionet, duke investuar para jo p\u00ebr nj\u00eb artikull t\u00eb vet\u00ebm, por duke u p\u00ebrpjekur ta mbajm\u00eb koleksionin gjall\u00eb dhe n\u00eb gjendje t\u00eb mir\u00eb. K\u00ebto jan\u00eb tendencat e reja. Gjithnj\u00eb e m\u00eb shum\u00eb po i referohemi konservimit parandalues, duke punuar me mjedisin rreth objekteve t\u00eb muzeut. Mendoj se kjo \u00ebsht\u00eb gj\u00ebja m\u00eb e mir\u00eb q\u00eb mund t\u00eb b\u00ebjm\u00eb p\u00ebr momentin, t\u00eb merremi me koleksionet dhe me koncepte t\u00eb reja p\u00ebr t’u kujdesur p\u00ebr monumentet dhe sitet, p\u00ebr shembull n\u00ebp\u00ebrmjet monitorimit dhe mir\u00ebmbajtjes s\u00eb duhur.<\/strong><\/p>\n\n\n